TYPO Berlin “Sustain” is not over yet and already three presentations have been made available in their entirety on the TYPO Video Portal; two of them in German, one in English. Bernd Kolb | Opportunities resulting from consequent thinking and acting Deutsch Daniel van der Velden | Memes, Jokes, and Jesters – Political Design In An Age Of Turmoil English Kirsten Dietz | The future belongs to the brave
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Three TYPO Berlin “Sustain” Talks Online
I have something to whet your appetite for next week’s TYPO Berlin “Sustain” .
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Three TYPO San Francisco Talks Online
In a couple of days, we will publish the first non-porchez typeface family. When Typofonderie was launched back in the nineties, the objective was simply to distribute directly its founder’s typefaces.
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Typeface designer to come
From Berlin to London to San Francisco and to Berlin again – after visits to the UK and USA the mother of all European design conferences returns to its native city next week for the 17th edition in the Haus der Kulturen der Welt . This year’s theme for TYPO Berlin will be “Sustain”.
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Last Tickets For TYPO Berlin “Sustain”
After London in October last year, San Francisco was the second “foreign” city to host the TYPO conference (rebranded last year as TYPO Talks ) outside Berlin. In the same way that London was a logical choice – it was the location of the original FUSE conference in 1994 which was the precursor of the TYPO conferences – San Francisco is the home of the North-American office of FontShop . On April 5 & 6, the design and typographic community of San Francisco convened in the Yerba Buena Center for the Arts for two days of information, inspiration, networking and mind-blowing awesomeness.
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First TYPO SF Resounding Success
Le Monde Sans is a sanserif based on Le Monde Journal — a practice that become commonplace from early nineties. Designed originally in 1994 for the Le Monde newspapers (they switched to standard fonts in 2005), it was expended over the years to the large family we know today. As many others members of the extensive Le Monde family, Le Monde Sans was revamped for the relaunch of Typofonderie website
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Le Monde Sans Pro and its new g
Le Monde Sans is a sanserif based on Le Monde Journal — a practice that become commonplace from early nineties. Designed originally in 1994 for the Le Monde newspapers (they switched to standard fonts in 2005), it was expended over the years to the large family we know today. As many others members of the extensive Le Monde family, Le Monde Sans was revamped for the relaunch of Typofonderie website.
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Le Monde Sans Pro and its new g
Last night Dalton Maag ’s type family Nokia Pure won the Graphics category of one of the most prestigious awards in design, the Design Museum Designs of the Year 2012 . These ‘Oscars of the design world’ showcase the most innovative and progressive designs from around the world, spanning seven categories: Architecture, Digital, Fashion, Furniture, Graphics, Product and Transport
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Dalton Maag’s Nokia Pure Font Wins Graphics Award
Typography is writing with prefabricated letters, so says legendary Dutch typographer Gerrit Noordzij. But what about stencil lettering? The shapes are pre-existent, yet each letter needs to be drawn by hand.
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Between Writing and Type – The Stencil Letter
We wanted to meet The Shelf Journal team, a brand new publication dealing with the book. The moment a magazine is created is always an important event, specially when this one is French and is broadcasting abroad.
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Meet The Shelf Journal
